Monxx :
Soundcloud : https://soundcloud.com/monxxbeats
Facebook : https://www.facebook.com/MonxxDubstep
Twitter : https://twitter.com/monxxbeats
Instagram : https://www.instagram.com/monxxuk/

Dubstep Mag :
Facebook : https://www.facebook.com/dubstepmag
Instagram : https://www.instagram.com/dubstepmag/
Twitter : https://twitter.com/dubstepmag

Montage : Karl Bien-Aimé

The post Monxx : « La musique est ma passion, ma carrière, ma vie » appeared first on Dubstep Mag.

La version longue de 8 minutes est disponible sur Youtube ici /

Merci encore à Skankerz pour l’invitation.

Je tiens aussi à noter que nous avons essayé de réaliser l’interview dans de meilleures conditions, malheureusement l’image est un peu sombre nous vous l’accordons. L’audio est cependant très bon. J’espère que ce léger contretemps ne vous empêchera pas d’apprécier l’interview.

Merci encore !

The post [INTERVIEW] GRAPHYT appeared first on Dubstep Mag.

En partenariat avec Bassweight Records et pour la sortie du single Soul Eater nous avons réalisé une interview de Answerd !

Place à la vidéo où Answerd nous explique comment il a construit Soul Eater !

The post [INTERVIEW] Answerd appeared first on Dubstep Mag.

Disponible aussi sur Youtube :

Facebook :

Sous-tires en français et anglais

Subtitles in English and French

#dubstepfr #dubstep #diskirz

The post [INTERVIEW] Diskirz appeared first on Dubstep Mag.

Disponible sur notre page Facebook : https://www.facebook.com/blogdubstep/videos/1982571985111921/?

L’Interview part 2 : Daft Punk, RIDDIM, Sync, etc

Le principe de l’interview : On lui montre image et il nous dit la première chose qui lui passe par la tête.

Bonus interview : We showed PhaseOne a picture and he had to tell us the first thing that come to his mind.

Ah Daft Punk ! Around the world around the world . Iconique ! Iconique

Daft Punk ? Oh Around the world around the world,
Iconic ! Iconic !

PhaseOne

Oh mec, j’adore la pochette.. j’adore! .C’était mon premier EP. La musique est mauvaise mais la pochette est bonne ahaha et c’était le début de tout pour moi, ça a mené où je suis là aujourd’hui donc bon.

Oh man, i love the artwork. The atwork is… That was like my first EP ahah
The music sucks but the art’s good and it was the start of everything so it kind of lead to what this is soo

PhaseOne

La mère patrie, la maison des kangooros !

The motherland, The house of kangooroos.

PhaseOne

J’aime le RIDDIM en général. Il y a des aspects assez cool, ça reste du Dubstep au final. Mais c’est une mode qui va durer seulement un certain temps, je donne encore 6 ou 10 mois ! Quand cette mode se finira et que les « bedroom producers » seront terminés, les vrais musiciens, les vrais producteurs vont avoir du succès. Au final, c’est la musicalité qui va revenir dans la musique électronique ! En toute honnêteté.

Riddim. I like it… for the most part. There are some cool aspects but it’s still Dubstep at the end of the day. You know, I think it’s a trend that will only last a certain while. I give it 6 or 10 months tops. When that trend ends, then all these… « bedroom producers » finish. What’s happening will be that real musicians and producers will shine when this is time for real musicality to come back into electronic music… To be honest. .

PhaseOne

Baguette, j’adore le pain, j’adore les glucides. Un repas n’est pas complet sans glucides, je me sens pas bien sans manger de pain une fois par jour au moins. Je devrais être français ahaha

Baguette, i love bread, i love carbs, a meal is not complete without carbs so i don’t feel complete withtout eating bread once a day. I should be french ahah

PhaseOne

La synchronisation, je ne l’utilise pas du tout. Je connais des gens qui l’utilisent et à chaque fois que j’ai fait un B2B avec l’un d’eux, le peu de temps qu’il a été utilisé a plus foutu la pagaille qu’autre chose ! Donc bon, utilise ton oreille, c’est pas difficile !

Sync, i do not use sync ever. I know people who do and whenever we went back to back, it screwed more things up more than it helped. So,  i don’t know, use your ear, it’s not that hard.

PhaseOne

La tour Eiffel. Je suis déjà allé tout en haut. La première fois que je suis allé à Paris j’avais 10 ans, je suis allé tout en haut de la tour, il faisait super froid mais c’était cool, j’y suis allé 2 fois depuis. C’est ma 10e fois à Paris, je me plais bien ici, j’aime bien le français, j’aime bien les français et Paris.

Eiffel Tower, i’ve been to the top of that. The first time i went to paris i was 10 years old, i went to the very top of the tower and it was cold but that was cool and i’ve been up twice since then. This is like my 10th time in Paris. I love it here, i love french. i love french people and Paris.

PhaseOne

La batterie, mec je suis pas un batteur mais s’il y avait un instrument que je pouvais exercer, ça serait la batterie. Techniquement je suis un guitariste, mais j’aime vraiment la batterie, j’en ai déjà eu une mais je suis pas vraiment un batteur. C’est vraiment une de mes passions, ça fait beaucoup de bruit ahah

Drums Man, I’m not a drummer. I think if there was one instrument I could pursue, I would be a drummer. I’m technically a guitarist for everything but I love drums. I even owned a drum kit before but I’m not a « drummer »… That’s one of my passions. If i could ever take it up… It’s just so loud !

PhaseOne

Oh, c’est la prochaine star ! Je le connais depuis longtemps en ligne. On vit dans la même ville à Sydney en Australie. Mais c’est un bébé, il n’a jamais été dans les boîtes de nuit, genre quand je jouais en Australie, il était toujours mineur donc il pouvait pas rentrer, il a toujours fait des tracks énormes et maintenant il va avoir 18 ans et il fait une tournée en Europe et bientôt en Amérique. Respect à lui, c’est la nouvelle génération.

Oh damn, he is the next thing, i don’t know. I’ve known him for a long time online. We live in the same city, sidney, australia. But he is like a baby so he’s never been to allowed to clubs like every time i was performing in australia, he was always underage and wasn’t allowed into the club so and he were always making fire tunes and now he’s like about to turn 18 and he’s like touring europe,he’s gonna touring america soon. But i don’t know, bal down, he is the new wave.

PhaseOne

The post [INTERVIEW] PhaseOne appeared first on Dubstep Mag.

#dubstepfr#dubstep#interview

The post [INTERVIEW] Reaper appeared first on Dubstep Mag.

Lors de notre venue à Montréal, nous avons eu l’opportunité de nous entretenir avec TenGraphs, un des membres fondateurs du label Crowsnest Audio, pierre angulaire de la scène deathstep mondiale.

https://www.facebook.com/blogdubstep/videos/116323055972815

The post [INTERVIEW] TenGraphs appeared first on Dubstep Mag.

The 7th of july 2018 at Ambassad 2 , we had the extreme privilege to interview Somnium Sound.

Here is our interview were we learn more about his name, his music and his proximity with Svdden Death.

The audio of this interview is at the end of the article if you don’t want to read.

Question 1 :  How are you ? Where do your name come from ?

Oh i’m doing fucking awesome like, you know little tired, little on sleep but you know, i made it out here and i’m having an awesome time. My name’s comes from, so the word somnium is latin for dream so my name means dream sound and the reason i have that name is because when i was trying to figure out a name i was like i need a name and i think i’m just going to find something that has to do with an interest of mine and one of an interest that i have is lucid dreaming and like weird stuff like that so i was okay that’s kind of cool and the idea behind it is that i want my music to be like a dream, like i want my projects, my EP, my albums stuff like that i wanted to be like a dream so like you know when you have a dream you have different types of dreams, you have like nightmare you have like good dream , you have like anything and i want my music to be as diverse as the kind of dream you can have at night. So, that kinda where i’m going with my name and with my project you know right now i’m mostly only known for dubstep but most people don’t know that i’ve made literally  every genre for a long time. I have like trap songs , i still have couple trap songs . If you dig down my soundcloud you’ll see, the first song on my soundcloud is a bass house song, the first song i’ve ever released on a label was Buygore it was a bass house song and i have like 5 or 6 house songs like unreleased ready to go whenever the time is right and like i just want to merge like everything together you know and i want to bring like my sound, my diverse sound design skills and bring them anywhere

Question 2 : When and why did you start producing RIDDIM music ?

So, i started producing riddim in ..humm i’d say i started producing seriously around 2013 and around that time that was the era of  like the tearout era it was like the old GETTER like Fallout EP on FirePower ,you know,  like JFpheplz playing today like Bar9  « EP” ,   like 12 Gauge you know that ERA and like what got me in the dance music was like i was listening to brostep stuff like Skrillex and all those guys that’s where i came in but as dubstep progress i kinda progressed with it into the warp . I come from a heavy metal background like my first music project ever was in a  band, that’s how i got into production because i wanted to learn how to record our EP and in order to do that i needed to learn music production and then when the band broke up i still wanted to do music production so i started making my own music. That was around the time that i was starting discovering that was when Skrillex was exploding i started learning about this whole new world of like production and stuff and i was like “oh well i don’t need  a band and all to make my own music all by myself” so i started making music around then and like i was making like actually when i first started producing i wanted to make neurofunk. But that’s like super hard ! Really really hard like If you ever want, for all the kids out there if you try to learn how to produce DO NOT pick Neurofunk first, it’s very hard , it’s very very hard, then i started making dubstep and then i kinda like i continued to listen to that era but i was experimenting with production more i wasn’t necessarily making dubstep at that time, i made a little bit but  i was making like trap and i made like house and i made like trance , i mean like everything. I kinda came full circle because at around like 2016 i moved to LA and i moved to LA with Svdden Death so when

I attended a music school in LA and when i moved, Danny, Svdden Death was like “yo if you’re going to move to LA, i’m moving to LA too” and i was like “yes please do” so i moved he moved a week later and so, I move to LA like when I was attempting school, pretty much everyone I met was dubstep producer because of Danny, so Danny was all around meeting you know like Al Ross, like Yakz and all these guys like that’s how I met these guys through Danny and the more and more I was hanging out with theses guys the more and more my music just started to turn into, you know, the underground dubstep sound and you guys you know of me from like right now you know cause like I had the chops from like working on music for so long that like when I was just like yaa this stuff is fun like I made like 3 or 4 songs , send them to NSD because I did the collab with Danny for Marauders and because of Marauders NSD hit me up and they wanted more music from me so I was like Oh shit I don’t have any dubstep like available right now All I have is like Hybrid trap so I started making you know, I’ve made “What’s up” “snoozer” and one other song that never ended up coming out and then unholy and I made those 4 songs in 1 week and I send them to NSD and then ever since then just been, it’s just been growing up so that’s kind of how, that’s kind of how I ended to this scene you know and from there I’m just trying tho like, trying to bridge the gap like the underground like the mainstream, you know. I want, I want to take my, like, career to like, the highest like the penicle ? You know I want win a grammy, I wanna go the way you know and I want to like be able to, like, make that kind of music and also support the underground and still bring like, you know, play on mainstage, headlining slot time at EDC and then drop like some riddim artists who only has like a thousand followers, like, that’s what I wanna do, I want to be that guys so  

Question 3 : Can you tell us something about Voyd ? Is it your alias with Svdden Death ?

There is no comment on Voyd, No Comment ! There is no comment on Voyd. I give you guys an exclusive no comment. HAHAHAHHAHAHA

Question 3 Bis :  Your proximity with svdden death is undeniable. So what makes you two get along so well ?

It’s because we became friend first, we’re friends first and then we made music like, me and SD like, I mention in the earlier question. Me and him go way back like to, we didn’t go so far back like we grow up together but we came up together. I met him outside of this weekly club in San Fransico called EPR and he was litterily handing out like CD like I was one of the only people who came up to him and talk to him and I was like : « Yo this like really good, » this is at this time he was making like, he was making nothing even close to what you did expect him to making and like I was like « yo this is like super awesome »  and then we just talk and then the next week I saw him at this show again, talk more and then like I’ve got his number and then we hang out. We started to hanging out ever since and we always like would kind of trying to make music but because we were just such good friend, we could never really finish anything, same thing for Yakz, me and him we tried to make song a ton of times, we ended up just hanging out just watching youtube videos and stuff and I feel like that’s a big reason why collaborating with really really good friend of yours, it’s like, it works so well, it’s like we don’t force it, eventually like something magical is gonna happend because the only collabs that I ever finish what with Svdden death, other one that you guys have heard right ? The purple Lamborghini remix, maurauders and angel style, those are the only song we ever finishED, there is no like hidding shit like, behind the scene.

Question 4 : You released a new EP recently on NSD: Black Label. It’s a huge accomplishment for you. Congrats, we loved it !

What was the process and how did it end up on black label ? 

I kind of mentioned it a little bit earlier but basically what happened was I was at I’ll give you the full story for this one so I was at um I think it was it was either countdown or nocturnal Wonderland some show at the NA Center in San Bernardino.

I can’t remember which one it was but a good friend of mine Ozzy he had become friends with one of their ANR’s Daniel Bisbing and he introduced me to him there and at the time this was right when  giant sudden death spell jam EP was submitted but not released yet so like.

It was it was done and they were gonna release it but there so like it wasn’t out yet so he already knew about Marauders he already knew about all that stuff and he says « oh you made Marauders like please send me music » and I was like oh I don’t have any like any music to send so I like went home and I started like working on stuff and he followed up with me like a week later he was like « yo send me music » and I was like oh so then like I like chugged a bunch of energy drinks and like tried to finish them as fast as I could and then I sent it to him and then ever since then like Skism and  Daniel have been super super supportive and like pretty much everything I send they’re like they love it and like I can’t stress how much I appreciate their support because like I wouldn’t I definitely wouldn’t be doing a lot of the things I’m doing if  it wasn’t for the opportunities that never-say-die is given me because like every time I talk to people like when Italk to promoters like they’re like oh we booked you because you’re NSD this or we booked you because you’re EP we booked you because the you know this song or that song and I’m just like wow like it’s actually crazy how much it actually helped so yeah so

I sent them the music and then they like pretty much took like almost all the songs except for like one so that was like « what’s up », « snoozer » and « unholy » and then after that like I did Bounce Syndrum remix came after that, and ever since then like they’re one of the first people I send music to so thanks.

Here’s the audio of the interview :

https://www.facebook.com/blogdubstep/videos/1620497584728408/

https://www.facebook.com/blogdubstep/videos/1620620971382736/

https://www.facebook.com/blogdubstep/videos/1620638561380977/

https://www.facebook.com/blogdubstep/videos/1620653291379504/

The post [INTERVIEW-EN] Somnium Sound appeared first on Dubstep Mag.

3 courtes interviews réalisées dans les backstage du Belmont, célèbre boite de Montréal avec Diskirz, Paragon et Reap3r, trois artistes montants de la scène dubstep montréalaise.

Mais aussi l’interview de TenGraphs, l’un des piliers de Crowsnest Audio et de la scène deathstep.

Voici le programme de publication.

Diskirz

Une étoile montante du dubstep français, il a sorti récemment une track sur le label américain BassWeight Records.

Jeudi 20 septembre, épisode 1 sur notre page Facebook

Mercredi 17 octobre, épisode 2 sur notre page Facebook

Mercredi 24 octobre, épisode 3 sur notre page Facebook

Reap3r

Artiste RIDDIM, membre de Cookerz Crew.

2 octobre, épisode 1 sur notre page Facebook

4 octobre, épisode 2 sur notre page Facebook

6 octobre, épisode 3 sur notre page Facebook

TenGraphs

Numéro 2 de Crowsnest Audio

L’interview comportera 3 épisodes plus longs que les autres interviews.

16 Octobre épisode 1 sur notre page Facebook

18 Octobre épisode 2 sur notre page Facebook

Vous avez compris, le planning est chargé, on se retrouve tous sur la page Facebook !

The post [PLANNING] Nos interviews réalisées à Montréal appeared first on Dubstep Mag.

Comme chaque année, la Dream Nation arrive. Chaque fois l’occasion de découvrir les nouvelles perles du milieu mais également les références que l’on aime retrouver. Pour patienter les quelques semaines restantes on a eu la chance de pouvoir retrouver le légendaire duo UK Modestep. Les papas du Dubstep/Rock comptent bien envoyer un set qu’on imagine mettre le feu à la scène Bass. Après une année agitée qui les aura vu rejoindre Disciple,  une interview brève dans laquelle on ressent l’effervescence de bientôt rejouer à Paris, on a qu’une envie : celle d’en découdre.

Hello, how are you ? Are you happy to play in Paris ?

« I can’t wait, its been a little while since we played in Paris. The crowds always go hard. »

Do you make the most of your set in live or a dj set  ? What do you like more ?

« I think both of us enjoy performing live, its the main reason we do this. Our live show is our ultimate goal. That being said, its a lot of work and sometimes it is fun to show up with just a USB stick! »

Any EP / album coming soon ? Could you share with us some exclusive info ?

« We have a bunch of singles coming out on Monstercat & Disciple, and talks of an EP/album in the next 12 months 😉 »

You recently joined Disciple, it’s a huge achievement. What was the process behind it ?

« I’ve known Dodge and Fuski (owners of the label) for years. Rob heard we were looking for a new label so he reached out to us. We’ve since decided to move over to LA to be with the label full time, they really feel like a proper family and we can’t wait to see what the next few years holds with them 🙂 »

What’s your best and worst memory during a show ?

« My best show memory was definitely when we played to 750,000 people at Poland’s Woodstock festival. You’ve never seen anything like it, it was like a scene from a war movie. My least favourite memory was probably recently, I got a text at the start of the show saying that my dog (back home) had run away. Luckily by the time I got off stage he had been found again. That wasn’t fun. »

Traduction – 

Salut, comment vas-tu ? Content de jouer de nouveau à Paris ?

« J’en peux plus d’attendre, ça fait un moment que j’ai pas joué à Paris. La foule est toujours folle et bouillante. »

Est-ce que vous faites la plupart de vos sets en live ou dj set ? Qu’est ce que vous préférez  ?

« Je pense qu’on apprécie tous les deux de faire des performances live, c’est la raison principale pour laquelle nous faisons ça. Notre live show est notre but ultime. Ceci étant dit c’est beaucoup de travail et des fois c’est sympa de se ramener avec uniquement une clef USB. »

Des EP/Album à venir ? Peux-tu nous partager quelques infos exclusives ?

« On a pas mal de singles qui arrivent sur Monstercat & Disciple et on va parler d’un EP ou d’un album dans les 12 prochains mois ! 😉 »

Vous avez récemment rejoint Disciple, c’est énorme. Comment ça s’est fait ?

« J’ai connu Dodge & Fuski (détenteurs du label) depuis des années. Rob a entendu qu’on cherchait un nouveau label alors il est venu vers nous. On a depuis décidé de bouger à LA pour être à plein temps avec le label. On s’y sent vraiment comme dans une famille et on est impatients de voir ce que nous réserve les années à venir avec eux ! »

Quel est votre meilleur et votre pire souvenir pendant un show ?

« Mon souvenir préféré reste vraiment quand on a joué devant 750 000 personnes au Woodstock Festival en Pologne. Vous avez jamais rien vu de comparable, c’était comme une scène d’un film de guerre. Mon souvenir le moins agréable était plutôt proche, j’ai reçu un sms au début d’un show me disant que mon chien (Alors à la maison) s’était enfuit. Heureusement le temps que je finisse et quitte la scène, il a été retrouvé. C’était vraiment inquiétant. »

The post [INTERVIEW-FR/EN] MODESTEP appeared first on Dubstep Mag.